MM Writer/Director
  • MONTSERRAT
  • WRITER
  • DIRECTOR
  • CULTUREMENTAL
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Montserrat Mendez
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WRITER/DIRECTOR
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ESCRITOR/DIRECTOR

CONTACT
Instagram
New Play Exchange
​"You're unfamiliar with Montserrat Mendez, you say? Oh My dear, then you must go off to your garrulous Google, or your yappy Yahoo and absorb all you can about him. He is - and I say this with envy - a perfectly marvelous playwright... A Comic Masterwork… A veritable monsoon of precisely executed comedy, I hardly expected thoroughly stupid to be so bright." ​   Leonard Jacobs - Backstage
Montserrat Méndez is a writer and director. Born in Rincón, Puerto Rico and raised in New Jersey, his work has been shaped by New York’s independent theater community. His play The Importance of Being Earnest Part Deux: Thoroughly Stupid Things received the Outstanding Playwriting award at FringeNYC in 2008.

His chamber musical El Fuego Y Su Heredero, which examines Lolita Lebrón’s armed action at the U.S. Capitol, was a finalist for the Perelman Performing Arts Center’s 2024 Democratic Cycle.
In 2024, Méndez joined the Playwrights Unit at The People’s Theatre, where he developed Sombraluz. The project was later named a Terrence McNally Rattlestick New Works Incubator Finalist and received support from the New Jersey State Council on the Arts.

For film, his screenplay A Trial of Spies, centered on the prosecution of Julius and Ethel Rosenberg, was a Top Ten Finalist for the Nicholl Fellowship in Screenwriting. His upcoming film projects include A Game of Cunning and Zone of Death.


Dramatists Guild member.
Retro Productions company artist.
Instagram: @TheRicanteur
Website: MontserratMendez.com
Montserrat Méndez es escritor y director. Nacido en Rincón, Puerto Rico, y criado en Nueva Jersey, su trabajo se ha visto influido por la comunidad de teatro independiente de Nueva York. Su obra The Importance of Being Earnest Part Deux: Thoroughly Stupid Things recibió el premio a la Escritura Destacada en FringeNYC en 2008.

Su musical de cámara El Fuego Y Su Heredero, que examina la acción armada de Lolita Lebrón en el Capitolio de Estados Unidos, fue finalista del ciclo democrático 2024 del Perelman Performing Arts Center.
En 2024, Méndez se unió a la Unidad de Dramaturgos de The People’s Theatre, donde desarrolló Sombraluz. El proyecto fue posteriormente nombrado Finalista del Incubador de Nuevas Obras Terrence McNally/Rattlestick y recibió apoyo del Consejo de las Artes del Estado de Nueva Jersey.

En cine, su guion A Trial of Spies, centrado en el juicio de Julius y Ethel Rosenberg, fue finalista entre los diez mejores para la beca Nicholl en escritura de guion. Sus próximos proyectos cinematográficos incluyen A Game of Cunning y Zone of Death.

Miembro del Dramatists Guild.
Artista de la compañía Retro Productions.
Instagram: @TheRicanteur
Sitio web: MontserratMendez.com

ARTISTIC STATEMENT

I believe language is one of the most powerful weapons ever created. Twice in my life, violence has tried to take me, leaving me with a cracked skull, lifelong tinnitus, a shattered jaw, two stab wounds, and a need for new front teeth. And yet, I’ve chosen to return this brutality with words as my weapons.

Theatre is a living, breathing battleground for the soul, a place where characters reveal their scars and fight for their humanity. As a queer, Latino, disabled playwright and filmmaker, I interrogate the intersection of identity and survival, the quiet rebellions of those who refuse to be taken by the darkness. I write to disturb, to inspire, to leave you in stitches, to remind you that we only have one life. Live it to the hilt and wear it gloriously.

I want my audience to leave the theater questioning their own resilience and their own defiance. I want them to ask: How do we fight back? How do we carve out space for ourselves in a world that tries to erase us?


MANIFIESTO ARTÍSTICO
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Creo que el lenguaje es una de las armas más poderosas jamás creadas. Dos veces en mi vida, la violencia ha intentado arrebatarme, dejándome con el cráneo fracturado, tinnitus de por vida, la mandíbula destrozada, dos puñaladas y la necesidad de nuevos dientes frontales. Y, sin embargo, he elegido responder a esta brutalidad con palabras como mis armas.

El teatro es un campo de batalla vivo y palpitante para el alma, un lugar donde los personajes revelan sus cicatrices y luchan por su humanidad. Como dramaturgo y cineasta queer, latino y discapacitado, interrogo la intersección entre identidad y supervivencia, las rebeliones silenciosas de quienes se niegan a ser consumidos por la oscuridad. Escribo para incomodar, para inspirar, para hacerte reír a carcajadas, para recordarte que solo tenemos una vida. Vívela al máximo y llévala con orgullo.

​Quiero que mi audiencia salga del teatro cuestionando su propia resiliencia y su propia rebeldía. Quiero que se pregunten: ¿Cómo luchamos? ¿Cómo nos abrimos espacio en un mundo que intenta borrarnos?

AWARDS, RECOGNITIONS, "NEAR RECOGNITIONS" & RESIDENCIES
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2025
Cry-Havoc Theatre Company
Playlist 2025 - Cover to Cover

2025
Redbull Short Play Festival
Finalist
Viva Puerto Rico Libre! 


2025

Terrence McNally New Works Incubator at Rattlestick
SemiFinalist
Sombraluz O La Presencia


2025
New Jersey State Council for The Arts Finalist Award
Sombraluz O La Presencia
A Game of Cunning


2025
Mid-Atlantic Arts Finalist - 2025
Sombraluz  O La Presencia


2024
Finalist
The Democratic Cycle 

The Perelman Performing Arts Center (PAC NYC) and Civis Foundation (a Galvan Initiatives affiliate)
El Fuego Y Su Heredero


2024
People's Theatre Project
Playwright's Unit Fellowship
Sombraluz


2024
Map Fund Grantees 
Portal Magic Consensus Time
as part of the Flux Theatre Ensemble


2023
Second Round
Creative Capital Award 
A Trial of Spies 


2022
Second Round Finalist
Sundance Directors Lab
A Woman of Brooklyn



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2021
Nicholl Fellowship in Screenwriting
A Woman of Brooklyn
​Top 20%


2021
Finalist
Spotify Sound Up
LatinX Program


2015
Finalist
Athena List
Chisholm - A Woman of Brooklyn


2008
Outstanding Playwriting Award
New York International Fringe Festival
The Importance of Being Earnest Part Deux:
Thoroughly Stupid Things


2008
Finalist
Orlando Shakespeare Theater
PlayFest
The Importance of Being Earnest Part Deux:
Thoroughly Stupid Things


2008
Finalist (Top 30)
Nicholl Fellowship
A Trial of Spies

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  • MONTSERRAT
  • WRITER
  • DIRECTOR
  • CULTUREMENTAL