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  • MozzleStead

STAGE AND FILM

Currently in Development

A Woman of Brooklyn
Writer/Producer – Feature Film
Synopsis: The powerful story of “the Unbought and Unbossed” Shirley Chisholm’s early days in Congress and her bold run for the Democratic Presidential Nomination in 1972. Encountering violence, sexism and racism she fights to radicalize and liberate the party for “the change that’s gonna come.”
Producers: Barbara Bullard, Anika Noni Rose. The Shirley Chisholm Cultural Institute
 
A Game of Cunning
Writer/Director – Feature Film - Currently in Pre-production
Description Not Available at this time. 
Producers: The MozzleStead Company, Elizabeth Bendelac.
 
Rebecca Roman Redd at The Most Dangerous Hour
Writer – Stage Play
Synopsis: Rebecca Roman Redd plans to kill of her creation and career just as the world shuts down due to the covid-19 pandemic. However, the arrival of a mysterious Puerto Rican changes everything.
 
A Trial of Spies:
Writer – Play and Screenplay based on play.
Synopsis:  Madly devoted to each other, Julius and Ethel Rosenberg set on a path of espionage and treason in order to help the Russians save as many Jews as possible from the German Holocaust Machine leading to a Trial that would change America.  As told by Ethel Rosenberg.

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TELEVISION

Puck My Life
Comedy/Sitcom
Logline: signed to an NDA, being kept under wraps.

Peaches
co-written with Armistead Johnson
Comedy/Sitcom
Logline, Script and Pitch Deck available upon request.

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PRODUCED PLAYS

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Available on Amazon and other Booksellers

​THE IMPORTANCE OF BEING EARNEST PART DEUX:  

THOROUGHLY STUPID THINGS
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Logline: In this critically acclaimed sequel to Oscar Wilde's
​The Importance of Being Earnest, Gwendolen and Cecily go undercover as attorneys Ernest and Ernest to find out why Jack and Algernon spend so much time at the local men's club. When they meet alluring cabaret singer Bibi LaFlam and a menacing French Inspector, the ladies get more than they bargain for in this thoroughly "Wilde" comedy. 

​Winner of the 2008 Best Playwrighting Award at the New York International Fringe Festival.


​HISTORY:
  • ​June 2005
Lilla Wallace Juilliard Playwrights Fellowship Finalist
  • September 2007
Finalist - The Harriet Lake Festival of New Plays, Orlando Shakespeare Theatre
  • January 2008
Whirled Peas Productions @ Manhattan Theatre Source
Directed by Megan Demarest
  • May 2008
Callan Theatre – Salem, Massachusetts
Directed by Meghan Demarest.
  • August 2008
​ New York International Fringe Festival
Directed by Megan Demarest
Excellence in Playwriting Award      
  • February 2009
Vagabond Theatre Ensemble – A special presentation
  • June 2009
Commercial Run Option
Jeremy Handelman - Off-The Leash Productions


REVIEWS:
“A Comic Masterwork… A veritable monsoon of precisely executed comedy demonstrated by a most-polished cast.  Each actor superbly draws every drop of amusement from Mendez’s script, with its matchless gift for literary allusion, I hardly expected thoroughly stupid to be so bright.” 
Leonard Jacobs- Backstage
  
“The ending of the play, which nods a midsummer night’s dream, even has a touch of somber note – marking the reality of the world which confounds us. Making such a touching and poignant ending was a brave and successful choice, hilarious, and ridiculous evening. Now that’s what theatre is!” 
Andrew Bellware – Braidwood Films
 
“Thoroughly Stupid things is the best play I’ve seen at the Fringe!”  Lingual Tremors – Blog
 
“Rapid-fire writing replete with riotous wordplay, a fun, clever night of theatre.”  Nytheatre.com
 
“**** (four stars) Montserrat Mendez’s follow-up to Oscar Wilde’s The Importance of Being Earnest is the rare sequel that doesn’t disappoint. The upper classes remain frivolous and atwitter as Mendez picks up Wilde’s story.  The endearing Gwendolen (Emma Gordon) and Cecily (Amy Forney) suspect their husbands are having affairs – so, as any good wife would do, they disguise themselves as men and spy on their spouses at a gentlemen’s club, slipping in and out of their false identities to choruses of laughter from the audience. Mendez’s script weaves a lattice of clover wordplay and has great fun blowing up and rebuilding the fourth wall. Barely pausing to inhale, the fine cast reels off Mendez’s verbiage with aplomb, in accents whose tongue-in-cheek snootiness is perfectly matched by the wry smile that Mendez flashes at Wilde.” Ashley Hoffman – Time Out

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Billy Carver and the Children in Mind
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Logline: Billy Carver is the werewolfian brainchild of feted writer Rebecca Roman Redd, but she thinks of ending it all when reviews for he latest book recommend she put her stories on the big screen. A fast-paced farce as her pack of hangers-on are horrified at the prospect of their livelihood being killed, but all that Rebecca wants is a chance for true love or a true orgasm.
 
HISTORY:
  • July 2010:
Optimystics Theatre Company in association with MozzleStead
Manhattan Theatre Source
New York Innovative Theatre Awards Nomination
Lauren Roth – Featured Actress in a Play. 


“The most lavish and beautifully realized production I’ve yet seen at Manhattan Theatre source… Stunning!... The play’s overall literary theme and style make Billy Caver feel like a rare visitor from a long-gone theatrical era; yet it’s a brand-new piece, written almost literally overnight, which is why Montserrat Mendez is a young theatre artist to keep a particular eye on.”
Martin Denton – nytheatre.com


“Thought-provoking, fantastic, a unique and hilarious piece of serendipity.”
Juliana Appenrodt – Showbusiness Weekly

     
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AVAILABLE ON AMAZON AND OTHER BOOKSELLERS
A telenovela waiting for Godot.  A woman waiting alone after the Sept. 11th attacks.  Four women from literature yearning to be free of their construction.  The journey of a diamond ring.  Parents unable to figured out what to do about their newborn.  A young nurse deals with a student coming into her womanhood.  A baseball player can’t focus while on the plate. A mother and son say goodbye to their father.  A gay affair with a therapist goes wrong.  A Student Body group must make a decision about a dangerous new club in school and a white hipster couple, moves into a gentrifying neighborhood that is more than meets the eyes.
 
A collection of humans from the award-winning writer of Thoroughly Stupid Things. 

PRODUCED ONE-ACT PLAYS

Donde Esta Pedro Mano
  • 2021 - City Theatre, South Florida
  • 2009 - Ingenius Festival, Manhattan Theatre Festival
  • 2007 - City Theatre, South Florida
  • 2003 - Rutgers University​
Guernica of Guantanamo Bay
  • 2016 - As Performance - NYU One-Act Festival​commissioned by Jessica Shotwell and Angie Nunez for the New York University Drama Therapy Department
Transference​
  • 2015 - As Performance - NYU One-Act Festival ​Based on a story by Jon DeAngelis​commissioned by Jessica Shotwell for New York University's Drama Therapy Department
Prospect Park
  • 2015 - New York Madness, New York New York
Hush Little Baby
  • 2009, February -  Vagabond Theatre Ensemble
  • 2008, November -  The Actor’s Playground Theatre Company
  • 2007, March-  MadLab Theatre, Columbus Ohio
Fag Hag & Fruit Fly
  • 2008 - EstroGenius Festival
Rock
  • 2008 -  Misfit Toys Theatre Company, NYC
  • 2004 -  Pandora Productions, Manhattan Theatre Source, NY
A Jar in the Forest
  • 2007 - American Theatre for Actors, NYC
  • 2004 - Neighborhood Playhouse, NYC
A Taste of Honey
  • 2004 Manhattan Theatre Source
Saints and Sinners
  • 2004 Manhattan Theatre Source
Bound
  • 2004 - Gerry Theater, Sacramento California
  • 2003 - Rutgers University​
You Can Do Better
  • 2002 -  HomoGenius Gay and Lesbian Celebration Manhattan Theatre Source


​ALWAYS TO BE CONTINUED
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  • MONTSERRAT
  • ABOUT
  • WRITER
  • DIRECTOR
  • MozzleStead